Do you want to become a ๐ฏ๐ฒ๐๐๐ฒ๐ฟ ๐๐ฟ๐ถ๐๐ฒ๐ฟ?
This advice changed my writing forever:
๐๐ผ๐ป'๐ ๐๐ฟ๐ถ๐๐ฒ ๐๐ผ๐ฟ๐ฑ๐. ๐ช๐ฟ๐ถ๐๐ฒ ๐บ๐๐๐ถ๐ฐ.
Gary Provost, a famous writer, demonstrated this beautifully:
โThis sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. Itโs like a stuck record. The ear demands some variety.
Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length.
And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbalsโsounds that say listen to this, it is important.โ
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